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X-WR-CALDESC:Events for Enzian Theater
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DTSTART;VALUE=DATE:20210820
DTEND;VALUE=DATE:20210827
DTSTAMP:20260408T023255
CREATED:20210809T143717Z
LAST-MODIFIED:20210820T152355Z
UID:9142-1629417600-1630022399@dev.enzian.org
SUMMARY:What We Left Unfinished
DESCRIPTION:Stream this new release and support Enzian! \nHere’s how this works:\nFor $10\, the service provider will grant you access to the film\, which is viewable on any internet-connected device including laptops\, tablets\, and smartphones. If you have the appropriate technology (Chromecast\, Amazon Firestick\, AirPlay\, Apple TV\, Smart TV\, etc)\, you may be able to stream this to your television at home from your computer or phone. \nIf you have any questions or concerns regarding your order\, you can visit the Help Page or contact the streaming platform here. \nFor every purchase of What We Left Unfinished from Friday\, August 13th\, through Thursday\, August 26th\, nearly 50% goes directly back to Enzian in an effort to support us. We appreciate your support! \nClick Here to Stream What We Left Unfinished » \nCertified Fresh with 89% on Rotten Tomatoes! \n\n\n\n\n\nUtterly unique in film history\, Mariam Ghani’s archival marvel WHAT WE LEFT UNFINISHED is a probing and engrossing case study in censorship\, authoritarianism\, and political art. Thirty years after the Soviet withdrawal from Afghanistan and the subsequent civil war\, during a new era of political uncertainty for the embattled nation\, WHAT WE LEFT UNFINISHED looks closely at the era of state-funded Afghan filmmaking during the country’s Communist era\, bringing together dozens of writers\, actors\, and filmmakers to discuss five unfinished\, unedited projects produced between 1978 and 1991.  \nAfter each regime change\, leaders always saw propagandistic potential in Kabul’s rich filmgoing culture and the high quality of Afghan filmmaking. Scenes from the five never-before-seen films\, beautifully restored\, testify to the immense resources provided to filmmakers willing to play by certain rules. The studio politics and mishaps that accompany any film’s production here rise to the level of life-and-death conflict\, as filmmakers recall coming up against the censorship of an authoritarian government\, as well as unceasing threats of violence. Depicting the censorship process with astounding detail\, WHAT WE LEFT UNFINISHED raises potent\, eternally relevant questions about art and politics\, the freedom of speech\, and what happens when the truth becomes a bargaining chip. \nMariam Ghani\, the accomplished visual artist and a longtime advocate for film conservation\, makes a passionate and personal feature directorial debut. Selected by the Berlin Film Festival\, DOC NYC\, and Il Cinema Ritrovato\, WHAT WE LEFT UNFINISHED is an unsettling and brilliantly researched exposé which will prove disquieting to filmmakers and audiences alike.
URL:https://dev.enzian.org/film/what-we-left-unfinished/
CATEGORIES:Enzian On Demand,Feature Film
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DTSTART;VALUE=DATE:20210820
DTEND;VALUE=DATE:20210827
DTSTAMP:20260408T023255
CREATED:20210814T030308Z
LAST-MODIFIED:20210820T152404Z
UID:9143-1629417600-1630022399@dev.enzian.org
SUMMARY:Never Gonna Snow Again
DESCRIPTION:Stream this new release and support Enzian! \nHere’s how this works:For $12\, the service provider will grant you access to the film\, which is viewable on any internet-connected device including laptops\, tablets\, and smartphones. If you have the appropriate technology (Chromecast\, Amazon Firestick\, AirPlay\, Apple TV\, Smart TV\, etc)\, you may be able to stream this to your television at home from your computer or phone. \nIf you have any questions or concerns regarding your order\, you can contact the film’s distributor here. \nFor every purchase of Never Gonna Snow Again from Friday\, August 13th\, through Thursday\, August 26th\, nearly 50% goes directly back to Enzian in an effort to support us. We appreciate your support! \nClick Here to Stream Never Gonna Snow Again » \nCertified Fresh with 95% on Rotten Tomatoes! \n\n\n\n\n\nOn a gray\, foggy morning outside a large Polish city\, Zhenia (Alec Utgoff)\, a masseur from the East\, enters the lives of the wealthy residents of a gated community. Using hypnotic\, almost magical techniques to get a residence permit\, he starts working. The well-to-do residents in their cookie-cutter homes seemingly have it all\, but they all suffer from an inner sadness\, some unexplained longing. The attractive and mysterious newcomer’s hands heal\, and Zhenia’s eyes seem to penetrate their souls. To them\, his Russian accent sounds like a song from the past\, a memory of their seemingly safer childhoods. The latest from writer/director Malgorzata Szumowska (Elles\, In the Name of) and her longtime collaborator Michal Englert is an unclassifiable meditation on class\, immigration\, and global warming with touches of magical realism and moments of sober beauty and subtle humor.
URL:https://dev.enzian.org/film/never-gonna-snow-again/
CATEGORIES:Enzian On Demand,Feature Film
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DTSTART;TZID=America/New_York:20210821T110000
DTEND;TZID=America/New_York:20210821T131500
DTSTAMP:20260408T023255
CREATED:20210429T201031Z
LAST-MODIFIED:20210429T201031Z
UID:8724-1629543600-1629551700@dev.enzian.org
SUMMARY:Falstaff (Hamburg)
DESCRIPTION:Purchase a Season Pass to all four Opera + Ballet performances and receive discounted admission\, as well as a complimentary glass of house wine at each show! \nMembers that are Contributor level or above and Season Passholders are able to make a table reservation for this series. Reservations can only be made after a ticket or Season Pass has been purchased and are limited. Please make sure to have your confirmation number ready to provide to the box officer at time of your reservation. \nIs opera still just a pleasant pastime and oasis of high culture? Not if Calixto Bieito has any say in the matter. The shocking\, outrage-inducing director whose surprise-packed productions can be relied upon to attract attention is a welcome guest at Hamburg State Opera. His most recent venture is a staging of Verdi’s comic opera Falstaff\, which Bieito reinterprets as an apocalyptic satire on entertainment and prototype scenario of modern society. Bieito’s take on Falstaff is a black comedy that exposes the tragicomic aspect of human existence. He casts the eponymous hero of the piece as a charismatic and perverse pleasure-seeker\, a melancholy – and corpulent – bon vivant\, whose provocations hold up a mirror to our society. \nFalstaff is Verdi’s last work for the stage and as such his testament. By the time he composed it he had long since broken free of convention and no longer cared what the world thought of him. Falstaff shows us Verdi the tragedian smiling wisely as he takes his final bow. The opera even ends with the words “Tutto nel mondo è burla” – “All the world’s a joke”. Yet there is nothing bitter about this message. \nThe new Hamburg production boasts a world-class cast with Ambrogio Maestri – “a Falstaff for our times” – in the title role and Maija Kovalevska as Alice Ford.
URL:https://dev.enzian.org/film/falstaff-hamburg/
CATEGORIES:Opera + Ballet,Special Program
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