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DTSTART;TZID=America/New_York:20250905T235900
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DTSTAMP:20260404T003726
CREATED:20250627T165032Z
LAST-MODIFIED:20250627T165151Z
UID:18432-1757116740-1757122200@dev.enzian.org
SUMMARY:Arrebato (Rapture)
DESCRIPTION:4K restoration! \nARREBATO’s dimension-shattering blend of heroin\, sex\, and Super-8 is the final word in cinemania. \nHorror movie director José (Eusebio Poncela\, Matador) is adrift in a sea of doubt and drugs. As his belated second feature nears completion\, his reclusive bubble is popped by two events: a sudden reappearance from an ex-girlfriend (Cecilia Roth\, All About My Mother) and a package from past acquaintance Pedro: a reel of Super-8 film\, an audiotape\, and a door key. From there\, the boundaries of time\, space\, and sexuality are erased as José is once more sucked into Pedro’s vampiric orbit. Together\, they attempt the ultimate hallucinogenic catharsis through a moebius strip of filming and being filmed. \nLong unavailable internationally\, Arrebato has since been rediscovered as a cult masterpiece — a queer-coded\, avant-garde horror tale often described as Spain’s answer to Videodrome or Eraserhead. Legendary director Pedro Almodóvar has cited it as a major influence\, and its reputation has continued to grow for those drawn to the darker\, drug-fueled edges of cinematic obsession. \nFreaky Fridays ticket prices include a free popcorn and soda or lemonade for all attendees! Alcohol can be purchased at Eden Bar. Regular food service will not be available for Freaky Friday events. So\, come early\, and fuel up outside for the night ahead!
URL:https://dev.enzian.org/film/arrebato/
CATEGORIES:Freaky Fridays,Special Program
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DTSTART;TZID=America/New_York:20250906T110000
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LAST-MODIFIED:20250605T154041Z
UID:18222-1757156400-1757167200@dev.enzian.org
SUMMARY:Nashville
DESCRIPTION:One of the most distinctive voices in American cinema\, Robert Altman (1925–2006) defied Hollywood conventions with a maverick spirit\, crafting films known for their overlapping dialogue and large ensemble casts\, and often using wide master shots to stage deeply intimate sagas. At 45\, when he made his first successful studio film\, Altman was far too old to be a ’60s counterculture icon\, yet he stands as perhaps the most anti-establishment director of that era. From the satirical bite of M*A*S*H (1970) to the sprawling\, multi-layered narratives of Nashville (1975) and Short Cuts (1993)\, Altman’s resume is a masterwork of subversion—spanning revisionist Westerns (McCabe & Mrs. Miller)\, film noir (The Long Goodbye)\, psychoanalytical family drama (3 Women)\, American politics (Tanner ’88)\, and later skewering Hollywood’s vapidity with his Oscar®-nominated 1992 film The Player. \nAs we celebrate 7-time Academy Award nominee Robert Altman’s 100th birthday\, we honor a filmmaker who turned chaos into art and left an indelible mark on cinema as a medium of wickedly boundless possibilities. \nNashville: \n50th Anniversary! \nNominated for 5 Academy Awards® and winner of Best Original Song (“I’m Easy”) maverick director Robert Altman’s ambitious\, sprawling ensemble drama that paints a vibrant\, satirical portrait of American life\, fame\, and politics through the intersecting lives of 24 characters over five days in the country music capital of the world. With a staggering 7 Golden Globe nominations just for acting\, Altman’s assembled troupe includes iconic performances from the likes of Keith Carradine\, Karen Black\, Shelley Duvall\, Ned Beatty\, Geraldine Chaplin\, Henry Gibson\, Scott Glenn\, Jeff Goldblum\, Barbara Harris and Michael Murphy. \nA biting satire of both music and politics\, Nashville is considered one of Altman’s greatest masterpieces and a defining film of the 1970s\, lauded for its layered storytelling\, themes of ambition\, identity\, disillusionment\, and the spectacle of American culture which converge in a final act that has to be seen to be believed.
URL:https://dev.enzian.org/film/nashville-50/
CATEGORIES:Special Program
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